Cowan-Blakley Literary Society - A Book Club

Meet A Man Called Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him “the bitter neighbor from hell.” But must Ove be bitter just because he doesn’t walk around with a smile plastered to his face all the time?

Behind the cranky exterior, there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents’ association to their very foundations.

Questions to Keep in Mind as You Read

• We get to know Ove slowly with his past only being revealed piece by piece. Why do you think Fredrik Backman revealed Ove's past the way he did? How does this make you feel towards Ove as we find out his life history? Do your feeling change? 
• We all know our own grumpy old men. How do Ove's core values lead him to appear as such a cranky old curmudgeon, when in fact, he is nothing of the sort? Do you think having strong principles makes him inflexible and annoying to others?
• Tom stole and Ove took the fall. What did you think about Ove when he refused to identify Tom as the thief?
• Sonja described loving someone, like moving into a house. "At first you fall in love with all the new things, amazed every morning that all of this belongs to you...over the years, the walls become weathered, the wood splinters here and there and you start to love that house not so much because of all its perfection but rather for its imperfections." What are your thoughts on this?
• Parveneh's perspective on life is vastly different from Ove's. How does her extroverted attitude manage to be both rude and helpful? What other characters did you enjoy or identify with?
• We learn that Sonja and Ove lost their child and were never able to have another. What kind of father do you think Ove would have been?
• Ove believes in routine. How can following a routine be both comforting and tedious?
• Once Ove is forcibly retired, he plans to "retire" himself. Why do you think Ove wants to kill himself?
• The saying "It takes a village to raise a child" could also apply to this story. How do the other characters (Parveneh, Jimmy, the Lanky One, Anita) help Ove in their own way?
• What did you think of Ove when you began the book? What do you think of him after reading the book?

WINNER OF THE PULITZER PRIZE
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as they both try to survive the devastation of World War II.

Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Questions to keep in mind as you read:

• The radio plays a major part in the story and the time period. How do you think the impact of the radio back then compares with the impact of the Internet on today’s society?
• When Werner and Jutta first hear the Frenchman on the radio, he concludes his broadcast by saying “Open your eyes and see what you can with them before they close forever” (pages 48–49), and Werner recalls these words throughout the book (pages 86, 264, and 409). How do you think this phrase relates to the overall message of the story? How does it relate to Madame Manec’s question: “Don’t you want to be alive before you die?” (page 270)?
• On page 160, Marie-Laure realizes “This . . . is the basis of his fear, all fear. That a light you are powerless to stop will turn on you and usher a bullet to its mark.” How does this image constitute the most general basis of all fear? Do you agree?
• On page 368, Werner thinks, “That is how things are . . . with everybody in this unit, in this army, in this world, they do as they’re told, they get scared, they move about with only themselves in mind. Name me someone who does not.” But in fact, many of the characters show great courage and selflessness throughout the story in some way, big or small. Think about the different ways they put themselves at risk in order to do what they think is right. What do you think were some shining moments? Who did you admire most?
• On page 390, the author writes, “To shut your eyes is to guess nothing of blindness.” What did you learn or realize about blindness through Marie-Laure’s perspective? Do you think her being blind gave her any advantages?
• When Werner and Marie-Laure discuss the unknown fate of Captain Nemo at the end of Twenty Thousand Leagues Under the Sea, Marie-Laure suggests the open-endedness is intentional and meant to make us wonder (page 472). Are there any unanswered questions from this story that you think are meant to make us wonder?

Mad Enchantment tells the full story behind the creation of the Water Lilies, as the horrors of World War I came ever closer to Paris and Giverny, and a new generation of younger artists, led by Henri Matisse and Pablo Picasso, were challenging the achievements of Impressionism.

By early 1914, French newspapers were reporting that Monet, by then 73 and one of the world's wealthiest, most celebrated painters, had retired his brushes. He had lost his beloved wife, Alice, and his eldest son, Jean. His famously acute vision--what Paul Cezanne called "the most prodigious eye in the history of painting"--was threatened by cataracts. And yet, despite ill health, self-doubt, and advancing age, Monet began painting again on a more ambitious scale than ever before.

Linking great artistic achievement to the personal and historical dramas unfolding around it, Ross King presents the most intimate and revealing portrait of an iconic figure in world culture--from his lavish lifestyle and tempestuous personality to his close friendship with the fiery war leader Georges Clemenceau, who regarded the Water Lilies as one of the highest expressions of the human spirit.

"Later he told me that he’d been afraid to show me the painting. He thought I wouldn’t like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheat grass and timothy. That dilapidated house in the distance, looming up like a secret that won’t stay hidden."

To Christina Olson, the entire world was her family’s remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best-known American paintings of the twentieth century.

Told in evocative and lucid prose, A Piece of the World is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.

On June 5, 1944, as dawn rises over a small town on the Normandy coast of France, Emmanuelle is making the bread that has sustained her fellow villagers in the dark days since the Germans invaded her country.

Only twenty-two, Emma learned to bake at the side of a master, Ezra Kuchen, the village baker since before she was born. Apprenticed to Ezra at thirteen, Emma watched with shame and anger as her kind mentor was forced to wear the six-pointed yellow star on his clothing. She was likewise powerless to help when they pulled Ezra from his shop at gunpoint, the first of many villagers stolen away and never seen again.

But in the years that her sleepy coastal village has suffered under the enemy, Emma has silently, stealthily fought back. Each day, she receives an extra ration of flour to bake a dozen baguettes for the occupying troops. And each day, she mixes that precious flour with ground straw to create enough dough for two extra loaves—contraband bread she shares with the hungry villagers. Under the cold, watchful eyes of armed soldiers, she builds a clandestine network of barter and trade that she and the villagers use to thwart their occupiers.

But her gift to the village is more than these few crusty loaves. Emma gives the people a taste of hope—the faith that one day the Allies will arrive to save them.

Once you let a book into your life, the most unexpected things can happen...

Broken Wheel, Iowa, has never seen anyone like Sara, who traveled all the way from Sweden just to meet her pen pal, Amy. When she arrives, however, she finds that Amy's funeral has just ended. Luckily, the townspeople are happy to look after their bewildered tourist—even if they don't understand her peculiar need for books. Marooned in a farm town that's almost beyond repair, Sara starts a bookstore in honor of her friend's memory. 

All she wants is to share the books she loves with the citizens of Broken Wheel and to convince them that reading is one of the great joys of life. But she makes some unconventional choices that could force a lot of secrets into the open and change things for everyone in town. 

"Thank you for reading The Radium Girls. I hope you enjoy meeting these remarkable real women within the pages of this book. Their experiences raise so many questions - about corporate responsibility, about gender and class, about the safety of science, as well as many more - and I hope you find it a thought-provoking read. For me, despite the myriad 'themes' and wider issues raised by this piece of history, the radium girls themselves deserve the real focus. Thank you for walking in step with them on their journey and in honoring their sacrifice by reading. Thank you for listening to their voices, which were silenced for so long.
Thanks,
Kate xx"

The incredible true story of the young women exposed to the “wonder” substance of radium and their brave struggle for justice...

As World War I raged across the globe, hundreds of young women toiled away at the radium-dial factories, where they painted clock faces with a mysterious new substance called radium. Assured by their bosses that the luminous material was safe, the women themselves shone brightly in the dark, covered from head to toe with the glowing dust. With such a coveted job, these “shining girls” were considered the luckiest alive—until they began to fall mysteriously ill. As the fatal poison of the radium took hold, they found themselves embroiled in one of America’s biggest scandals and a groundbreaking battle for workers’ rights.

A rich, historical narrative written in a sparkling voice, The Radium Girls is the first book that fully explores the strength of extraordinary women in the face of almost impossible circumstances and the astonishing legacy they left behind.

It all starts on the one-hundredth birthday of Allan Karlsson. Sitting quietly in his room in an old people’s home, he is waiting for the party he-never-wanted-anyway to begin. The Mayor is going to be there. The press is going to be there. But, as it turns out, Allan is not…

Slowly but surely Allan climbs out of his bedroom window, into the flowerbed (in his slippers) and makes his getaway. And so begins his picaresque and unlikely journey involving criminals, several murders, a suitcase full of cash, and incompetent police.

As his escapades unfold, we learn something of Allan’s earlier life in which – remarkably – he helped to make the atom bomb, became friends with American presidents, Russian tyrants, and Chinese leaders, and was a participant behind the scenes in many key events of the twentieth century.